Make It 1997 Again Through Science or Magic.
Synopsis
Midori Asakusa sees the earth a bit differently. Always having her nose in a sketchbook, Asakusa draws detailed landscapes and backgrounds of both the world around her and the 1 inside her boundless imagination. Fifty-fifty the simple act of doodling on a wall evolves into an emergency repair on the outer hull of her spaceship. She is only brought back to reality by her best friend Sayaka Kanamori. The pair are stark opposites, with Asakusa's childlike wonder contrasted by Kanamori's calculated approach to life.
Later a chance encounter where the ii "save" the young model Tsubame Misuzaki from her overprotective bodyguard, a connection instantly sparks between Asakusa and Misuzaki, every bit both share an intense passion for art and animation. Whereas Asakusa is interested in backgrounds and settings, Misuzaki loves drawing the human form. Sensing a coin-making opportunity, Kanamori suggests that they starting time an blitheness social club, which they disguise as a motility picture club since the school already has an anime order. Thus begins the trio'south journey of producing animation that will awe the world.
From the vivid heed of Masaaki Yuasa, Eizouken ni wa Te wo Dasu na! is a love letter to animation, wildly creative in its arroyo, and a attestation to the potential of the medium.
[Written by MAL Rewrite]
Groundwork
Related Anime
Characters & Vocalization Actors
Staff
| | Yuasa, Masaaki Director, Episode Director, Storyboard, Series Composition, Planning |
Reviews
Mar 22, 2020
12 of 12 episodes seen
| Overall | 5 |
| Story | iv |
| Blitheness | 8 |
| Sound | 7 |
| Character | five |
| Enjoyment | half dozen |
I honey anime. You love anime. We all dearest anime.
Eizouken: Easily off the Motion Pictures Club is well-nigh people who beloved anime. They honey it and then much. They spend the entire show making anime, talking about anime, and thinking about anime. The intricacies of storyboarding, blitheness, audio pattern, voice acting, and direction go illustrated in detail. I learned a groovy deal nearly anime production past watching this.
Eizouken wanted to capture the magic of inventiveness and artists' extraordinary minds, and maybe it did for a few moments. The rest is an unfulfilled promise that left me feeling robbed.
It introduces three likable comrades who are passionate nigh anime; Midori and Mizusaki are the two artists, and Kanamori, their business-focused managing director. They have good chemistry with each other; The space-buck creative person, a teenage star and now an animator, and the strict—merely kindhearted—money-hungry managing director who can whip them into shape. Each of them has a distinctive character blueprint that reflects their personality, expressive voice acting, and an countless supply of funny faces. Throughout the serial, the club struggles to earn enough funds to buy equipment and maintain their clubhouse. To alleviate this problem, they effort to brand the best anime they tin can to prove they're worth a bigger budget. The finish goal is to brand more than anime, ameliorate anime, and prove to everyone they are worth watching. It would seem we take come full circumvolve. Eventually, this became the evidence's rhythm; the three friends worry about some drama that always appears as quickly as information technology disappears. Their obstacles get resolved much easier than the prove makes them seem. They demand to brand a club, find an advisor, notice a upkeep, the same formula every few episodes—and it never gets more exciting. The more significant conflicts culminate in a finished animated short made past the team. These parts got fatigued with the best fine art in the serial. In that location'due south never actually an arc for the gild, the quality of their work gets noticeably better, simply their popularity is e'er reliant on Mizusaki's fame equally a model. The pacing plateaued after the third episode. It was no longer the adventurous and awe-inspiring anime I fell in beloved with. As the episodes passed past, I realized I was watching it to see the fantastic opening. Eventually, it lost its magic too. I realized everyone was talking most the opening, and no one was talking about the show. Over time Eizouken transitioned into a boring tutorial on how to make a skilful anime without being a model example itself. The background music was excellent—more specifically, three songs. But they were repeated ad nauseam every episode, promptly losing their magic. About a third of this anime takes place in each graphic symbol'south artistic imagination, and the other half is spent in the real world discussing the society'due south project and maintaining their budget. The imagination sequences are drawn amateurishly with every audio result voiced by the characters, information technology'south and then mannerly. The amuse starts to habiliment off when the third fantasy in an episode begins, and you take to witness the plain white groundwork with chicken scratch fine art. There's also the general question of how the three order comrades are dreaming the same dream simultaneously. It's intriguing how Yuasa plays with diegesis here. A quick definition of diegesis: The visuals/sound that the characters can perceive versus or what is but perceivable to the audience (such as a narrator or background music). When Mizusaki or Midori present their drawings to Kanamori, information technology'due south clear they're all imagining what's depicted in the storyboard, so the leap cutting to hand-drawn art makes sense. These sequences are sometimes monumental, and information technology truly feels like they're three friends adventuring into the most creative corners of their minds. It is an first-class use of diegesis to develop the bandage and thrill the audience without bending our suspension of disbelief. During the commencement few episodes, these sequences get used quite effectively. Unfortunately, Yuasa seems to forget the rules of diegesis, and he makes many of the fantasy sequences a confusing blend of diegetic and nondiegetic elements with no basis in reality. For example, Midori often gets lost in thought while walking downward the streets with her friends, imagining the world is an heady anime. We've all washed it before as kids, it's pointless to the evidence simply entertaining nonetheless. She'll visualize street lamps as rockets or picture a behemothic monster looming on the horizon, then suddenly her friends are part of it. Information technology'south not clear whether information technology'southward all in her caput or if she is talking well-nigh information technology so that they dream with her. These scenes lost my attention. There is merely no substance to them. It'south a shame they wasted so many excellent components because Eizouken had the workings of a masterpiece. The real-world setting has a great artful. Everything about the compages is confusing only strangely beautiful. Buildings are a jumble of physical in different shapes on a colina to brand all of them visible. Rivers are all over the everyman level, inspiring Midori to dream of traveling the city on a boat. Every frame is colored with a washed-out palette, making every frame relaxing. If only this beautiful world were populated with something, annihilation, interesting. Mystery, lore, anything to make it worth exploring. Every bit far every bit we see, in that location's nothing cool well-nigh it other than how it looks. There were modest references to capitalism, socialism, and ecology degradation, but they were surface level, never explored in depth. I appreciated the references to Hayao Miyazaki. In that respect, I would call the anime a love letter of the alphabet, fifty-fifty though it adds null to the bear witness's actual quality. In the stop, Eizouken'southward emotional finale rung hollow, leaving the story incomplete. Probable, this volition non receive a sequel, but if it does, I'll be dorsum with hopes it will utilize its characters and setting far more. If you love anime, you should watch Eizouken. That's not to say you will beloved Eizouken, but information technology is an essential watch for anime fans interested in the production of the medium we honey. It drew me in with its child-like fascination with anime and its happy letters of aspiring to attain your dreams, capitalizing on my nostalgia. Quickly it let my fondest memories fade away equally it lost track of what fabricated it special. Alright, that's enough disappointment. I take said my slice. Now, Masaki Yuasa fans, I take my fate. No, I volition non resist. Take me to the guillotine.
Mar 22, 2020
12 of 12 episodes seen
| Overall | ix |
| Story | eight |
| Animation | ix |
| Audio | nine |
| Grapheme | ten |
| Enjoyment | nine |
The possibilities from a single production are simply infinite. But only enthusiasm can make loftier-quality ones. Moreover, everything won't work without skill and diplomacy. What's the cardinal to success? This concept is covered past so many different topics.
Eizouken. This show gives the best answer to this question. Let me explain and prove why.
The main theme of the evidence is the anime industry itself. I've seen lots of anime just I all the same didn't know how it was fabricated or produced. After watching this evidence, I finally empathise its inner workings/structures. Making something can't break through the difficulty easily. I realized it. Of course, I enjoyed Eizouken in terms of what information technology had to offer as a whole. It was entertaining and excellent. The real value of the show lies in its three characters: Asakusa, Kanamori, Mizusaki. They accept totally different and very interesting personalities. Kanamori is especially charming. She knows the importance of money and business concern and isn't just some random tall girl. While she ever looks grumpy, she cherishes the club more anyone else. She is what you would call a pure character. She isn't a miser. She is a talented producer at guild activities. She is street-smart despite she doesn't know much nigh anime. She would make a adept adult. Please don't forget Asakusa's bewitchery. Asakusa aims to explore her ain "Incredible World." Truly full of curiosity. She has an extraordinary imagination. Monochrome animation during every episode is from her imagination. This management is very well-made. In other words, awesome. Asakusa is a manager who is thinking of the setting first. Yeah, the setting is an important chemical element in terms of the story. Opus isn't possible without this. I'll mention more virtually her attraction. She is very positive, cheerful, and tin can even exist described as a clown. And cute. Once again, cute! Her beliefs never bored me. Ambrosial. I admire her seriously. Mizusaki is a stereotyped rich girl in a good way. She is dexterous and stiff-willed. Thanks to them, the club is ofttimes saved. An indispensable beingness. She has a meaningful past. You can empathise why she keeps in heed anime so hard past watching this testify. Mizusaki was never swayed past her family unit reasons. They're making anime in different environments in this fashion. Nevertheless, their souls are living in them. Later all, youth isn't and so roughshod. I tin say this. Did you call back this is the end? Please bear with me. The visuals are so cool. Masaaki Yuasa knows anime should be like this. Equally I said before, monochrome blitheness is a wonderful quality. Those accept unparalleled uniqueness. You lot will be drawn into them. OP song is quite catchy and funny. We're going to get hooked on that tune and choreography. The lyrics are as well quite plumbing equipment for this show. Music is also memorable. Some same music keeps playing during near every scene. Needless to say, eargasm. World-view is expressing. Voice interim is great and a blast! Kanamori's vocalization is one of my favorites. Also deep and an unforgettable voice tone. Genius. Asakura and Mizusaki's voices are as well splendid. This prove is the first fourth dimension to their performed. Despite Asakusa's person being an actor, she did very well. Mizusaki, too. My words are not enough to let yous know how much I dear this show. Zippo short of very nice. If y'all wanna know more definitions of anime and characters, I recommend this show to you. Interesting content. Worth watching.
Mar 22, 2020
12 of 12 episodes seen
| Overall | 8 |
| Story | 8 |
| Blitheness | ix |
| Audio | eight |
| Grapheme | 9 |
| Enjoyment | ix |
Existence an anime fan, the question of how animation is made is probably one I'm sure most people take asked themselves before. Before Eizouken debuted on Idiot box, we have to think that creating anime isn't an like shooting fish in a barrel chore. It takes an immense level of commitment, passion, and expertise to make what we run across on the screen. It's not a plan that follows a specific code as every anime is dissimilar, in shape, in form, and in seeking its ways to entertain the audience.
Masaaki Yuasa is no stranger when it comes animative and storyboarding in his past projects. With decades of experience, he's been progressively adapting and evolving his techniques in the field of animation. From unique sports show Ping Pong: The Animation to the wildly space odyssey of Space Dandy, he's hither to show the earth once again that animation has an unlimited realm of imagination. Starting off, we meet Midori Asakusa, a girl who is fascinated past how blitheness is made. It doesn't accept long for her to form a trio with Sayaka Kanamori and Tsubame Mizusaki, two high school students with similar interests. As a club together, they are united under the passion of making anime, a dream they promise to share with others. Despite the realistic idea of making anime, this show follows more of an creative adventures together as the Eizouken Club. But know this, we are too introduced nigh the fundamentals of the anime industry. Information technology's something similar compared to P.A. Works' Shirobako. Yet, Eizouken has plenty confidence to be its own show. With our trio of and the right hands, they embark this journey to not just make anime just also larn about what information technology actually takes to be an animator. It's like post-obit a boyhood dream together and encounter how far their journey takes them. Interestingly, the bear witness's setting offers a technological advanced setting, ane that is conceivable simply also not as well farfetched to exist unrealistic. What this means is the series can open many opportunities for the trio to experiment with whatever ideas they come up up with. But for starters, nosotros have to sympathize what making anime is not easy. It is a ho-hum chore that takes expertise in the field, dedicated minds to create something unique, and knowing when mistakes are made. They're humans after all and learning from mistakes is important so they tin ascent to a higher place them. The grouping makes mistakes early by setting expectations far beyond their standards. This creates tension in the club to the point where one of its members feels they may not exist good enough. Plus, let'southward not forget that making animation demands meeting timely deadlines so there'due south no incertitude the club runs into crisis fourth dimension bug. Luckily, the club has support between themselves and this is thanks to Kanamori's ability to compromise and create an surround where they can express ideas freely. And that's the dazzler of this show. It chooses to be gratuitous by using ideas of various genres and expressing them. Then, these ideas are created to go an anime project to showcase the world to see. But like almost animation projects, the group faces challenges that they must overcome together. These include upkeep funding and securing the resources they need to make their dreams come true. And sometimes, the trio realizes their club needs more help than they realize. For instance, making an animated piece of work isn't enough if they tin can't promote themselves. Marketing is a new field that the grouping wasn't equipped to handle given their lack of experience. Luckily, they receive help from the schoolhouse'due south secretary. Later in the show, Eiozuken is as well joined by Parker Doumeki, a daughter interested in their audio files but takes a role to help their sound section. Together, this club grows more and more equally we witness their transformation from a dream to a reality. Another important part of what makes this prove special also refined to the close relationship between our three main leads. They kickoff off as friends just by the end of this evidence, the trio looks more than similar a family unit. At the same time, each individual member has their own skills that are imperative for the society to succeed. This includes Kanamori'south business knowledge and negotiating, Asakusa'due south talent for drawing, and Mizusaki's skill of planning and observing. When y'all put these skills together, there'south immense potential to succeed with the right hands and tools. Yet, it'southward also not to say to say that the trio does want to get some fame and fortune. A running gag in the show involves Kanamori's beloved for money and hopes to make maximum profit. Other running gags in the show deals with how the trio runs into problem with the constabulary. If we talk about realism, this bear witness sometimes negates that chemical element as the issues the club runs into could've hands resulted in its destruction. Only let'due south get too far ahead of ourselves. This anime is designed to showcase the dearest of a club to fulfill their dreams rather than just showing the consequences of the anime industry. I'thou certain the more fans watch this testify, the more they'll come to that realization. Like some of Yuasa's other works, he likes to experiment and adapt this complimentary style of animation. In this item anime, nosotros get simple grapheme designs and animation that can exist deceptively complex. This is easily told through the storytelling and brainstormed ideas from our main leads. In some segments, the blitheness tosses common logic out the window and transcends into daydreams. The audition volition notice this by the stylish art shifts and occasional picture frames that seems out of reality. It's one of the positive perks nearly this testify every bit information technology allows art to exist experimented beyond its usual structure. Then bravo once again to Yuasa for gracing usa with his brilliant designs. Speaking of designs, the master graphic symbol bandage are distinctive such as Midori's short height, Mizusaki's fiery hair, or Kanamori'due south buck teeth. It's also noticeable the producers gave each of them the school blazon look to prove that they are in a phase of growing upwardly. Being at school means to learn and together as a club, Eizouken is eager to show their potential. Finally, I really desire to give props to the unique blitheness of the OP song. Information technology's something you lot don't see frequently inspired past pop culture simply translated into anime medium. I'm going to miss the weekends. I really am knowing that this show is over subsequently gracing u.s.a. with its fabulousness. When watching anime, you don't often recall too much nigh how it came together but every episode in this show convinced me a different story. And with 12 episodes, this is a type of anime that is inspirational as I'chiliad certain at that place's a little bit of Midori Asakusa within all of us.
Mar 22, 2020
12 of 12 episodes seen
| Overall | 8 |
| Story | viii |
| Animation | nine |
| Sound | seven |
| Character | eight |
| Enjoyment | 9 |
Animation is a wonderful medium, isn't information technology? The mode drawings get put into a consecutive illusion of motion, combining all sorts of aspects of art and color to create spectacles that inspire others to exercise the aforementioned. That's the power of visual media: creative inspiration. You can wait at all sorts of auteurs and visionaries such equally Quentin Tarantino and Hideaki Anno, and they'll tell y'all their inspirations: anime, movies, tokusatsu productions, etc. It'south the origin story of most in all artistic industries. Creativity begets inventiveness, so it'southward all the more wonderful to see works that gloat it. 2014's Shirobako was a charming and immersive look into the anime industry from the perspective of five friends working in unlike aspects of that field. 2017's Re:Creators brought all sorts of fictional creations to the real earth to showcase the many sides of what writers and authors are capable of as well as what kinds of influences and intentions their works hold. Now that we're in the year of our lord 2020, Go along Your Hands off Eizouken provides a mannerly look at 3 passionate high school girls in different production roles of animation, and how they work with each other to create their own anime. It'south gonna be difficult not to gush almost this show on a level that about of its principal characters do, and so pardon me. The energy of this show radiates a level of autistic CBF free energy I adore to no cease equally its passion and charm breathe life into me. The eccentric, high-energy nature of Midori Azakusa and Tsubame Mizukashi is precious with how they gush nigh the technical aspects of animation. Their chemistry with each other and resident penny-pincher and schemer Sayaka Kanamori is a sight to behold. Their no-chill energy might be a bit much for some people, but they alone could exist fun in nigh whatever scenario, equally the anime shows us. The way they gush over blitheness techniques and all the same make information technology presentable, the style they come up up with ideas similar a moving logo akin to the Pixar lamp, the way the three casually interact with a mix of hyper and deadpan free energy, all brand my mind race at a thousand miles per 60 minutes! I love how they accept to go along thinking about believability in their fantasy before making concessions. I love the theatric air they sometimes put on in their declarations. The show is just a joyous package of joy, one with a lot of comedic value such equally them praying to the fallen comrade of 30K yen or what comes of filming Azakusa falling off guard runway on the 2nd floor of a building. It also tackles a robot anime while having the characters rest the unrealistic nature of the genre in general with a level of plausibility, coolness, and internal logic in a manner meant to harken back to the entreatment of mecha in the first place. Needless to say, the mere concept of the arc excited me, and bias aside, the execution delivered! There are some issues with the show'southward pacing. While the arc structure is generally solid, the episodes themselves can feel almost lackadaisical, as if we're just flowing or cutting from one scene to another with footling in the way of escalation. Episode 11 is probably the biggest offender of this, equally information technology ends up feeling a lot longer than it really is as a result. In that location are a few examples of episodes that too tin't figure out a proficient stopping indicate, either. Information technology'southward not the biggest outcome in the world, and it being more of a slice of life title does help excuse information technology a piddling, merely information technology's however a problem that exists. One can argue that these characters aren't especially layered or circuitous compared to some of other Yuasa titles such equally Ping Pong: The Blitheness. As truthful as that is, it might be missing the signal as a criticism of Eizouken's writing. These characters are essentially vectors for this passion for animation that this somewhat dramatic slice of life-esque title presents. On peak of that, while i can argue how similar Azakusa and Mizukashi are to the point of existence as similar as Carole and Tuesday (from the eponymous disappointment of 2019) are in terms of label, they at least accept incredible chemistry with one another and with Hinamori. Frankly, this dynamic of friendship is what sells the trio for me, every bit it'due south fun to see them not just talk most the medium or about cash, but most anything else as they just have fun with whatsoever they're doing. Azakusa's definitely a ball of energy who gets too carried abroad with herself, but one who is otherwise laid-back and socially awkward. Mizukashi'due south similarly energetic nigh a different function of animation --hence the ii coming off as similar at times-- but she'southward an incredibly sheltered girl at the end of the day, and ane who just wants to follow her passions. Hinamori is the tough daughter of the bunch, every bit she's a schemer always on the chase for money, and a deadpan hardass to boot. They're non the most fleshed-out or interesting personalities in the earth, but for what they are, the prove takes reward of them and explores their dynamics well. It's also amusing to run into all the piddling sound effects characters make and that Azakusa is capable of nitpicking and breaking down the believability of settings and ideas in anime, though that's the aspie and reviewer in me talking, respectively. The show likewise takes advantage of how painful being an animator can exist. The girls working for free is made for a morbidly humorous comparing to the low wages animators piece of work for. Cuts accept absolutely forever and require absurd lengths of time to complete equally animators work for what feels like nonstop. Understanding realistic or plausible physics of whatever an animator is shooting for can be downright aggravating, like with smoke, sword movements, or hair movements. Several concessions oftentimes end upward having to be fabricated for the sake of getting a piece of work of animation done in time, resulting in cost-cutting measures that can wait cheap if drastic enough. An example of this is when the characters talk about how to convey the fast move of a tank rolling around, and they discuss the thought of a groundwork with moving highlights earlier Mizukashi rightfully calls out how much she hates the technique and they find a ameliorate solution. If Shirobako takes a somewhat lighthearted approach to what troubled production looks similar, Eizouken does the same regarding the grueling nature of working equally an animator, even on freelance projects not commissioned by anyone merely themselves. I'grand too intrigued by the strange, sci-fi schoolhouse setting. We always run into new bits being fleshed out with each episode like how clubs work or what getting luncheon is similar over in that location. Student council students are a level of hardass even Kanamori has trouble keeping up with, and club presentations tin can reach a level of violence where armored guards are forced to step in to protect club members with shitty presentations from getting trampled and browbeaten. The schoolhouse itself is this strange hodgepodge of inconsistent elements in its design, equally Azakusa points out in the first episode. It'southward a cluttered mess that vaguely resembles the real world while having the grandiose and almost bloodthirsty attitude nowadays in say, Kill la Kill'south Honnouji Academy. There's also this semblance of reality and fiction melting together much like Satoshi Kon'due south filmography, equally the overactive imagination of characters physically transports them into whatsoever they're visually brainstorming or whatsoever gets shown on-screen. The level of immersion characters accomplish gets to a signal where they react and interact with what isn't fifty-fifty there. So over again, with how great the visuals are, hard not to gush about and get immersed in them as much as the characters exercise. Masaaki Yuasa and his team at Scientific discipline SARU do a beautiful job of taking the strange and creative world of the manga and bringing it to life. The absurd and extremely emotive facial expressions characters have all of the time are all amusing and ever-shifting. The character designs all experience distinct from one some other with different head proportions that still feel grounded in the same world. The colors all pop while still feeling somewhat cool, virtually akin to Tokyo Godfathers. This is most exemplified by the drawings the characters make, which radiate this countless, unbound youthful energy to them. Of course, where the show tries to flex its muscles the most outside of its character animation is when the characters immerse themselves in a setting. The beautifully unfinished setting models are just adorable, as pencil marks remain on models that oasis't been fully colored. It captures the setting and design sketching phase beautifully, and it does so while keeping the models consequent. It's fun to see how the outfits our characters wear change in response to these scenes, and models such equally the dragonfly plane sketch our characters envision themselves piloting in episode 1 make for the all-time utilise of 3D CGI in a 2D anime I have noted in years. Of course, the level of detail in the blitheness itself is impressive in terms of fluidity, about as much as when the evidence tries to recreate Future Boy Conan, one of Asakusa'southward favorite shows. The way she gushes over the physicality of the characters' movements and other aspects of blitheness are represented perfectly in this recreation of an anime classic. This is all just gushing about episode 1! I haven't talked well-nigh a single thing about the rest of the prove'due south visuals, the stellar animation showcases that brand up the climax of each arc, or about the vibrance present in the OP and ED. That should tell y'all but how visually stunning the evidence is, and I didn't even talk almost my favorite moment from the get-go episode. There are several gorgeous scenes thanks to Masaaki Yuasa's directing besides as due to lovely art direction that works perfectly with the strange school setting our characters detect themselves in. Mayhap nothing is quite as artsy as say, Berserk 1997's shots, but there are still gorgeous moments such as the space scene at the end of the big imagination setpiece of episode 1. Sunsets are every bit warm every bit they can be without e'er feeling patently like most other anime, and the CG h2o somehow looks both photorealistic and capable of usually blending in with the surround of the prove. It doesn't always work out and at that place are a few bad-mannered CG moments, but this is still a joy to wait at. There are other details, such as at the cease of episode 2 when Azakusa and her family are shocked at a video of her falling that got filmed before in the episode. She's and so embarrassed that she'due south literally malformed and shittily drawn compared to everyone else in the shot. A lot of the techniques and explanations this show employs get nice visual representations too. I'g not entirely certain if this is my favorite Yuasa piece of work from a visual perspective, only it is certainly 1 of the best in this regard. Not every episode quite lives upward to episode 1, equally at that place are a few CG problems and several moments that do admittedly await plain. This is to be expected from a contemporary anime production, and what they go away with on a regular basis is still vibrant and imaginative enough to properly convey and alive up to the intricacies of the medium it puts on display. The series captures this overactive imagination that I envision every day given that I often call up visually, and I beloved that. Every bit yous tin tell, this prove is hyper and that energy has rubbed off on me. If I had to detect the weakest link, information technology would be the OST. This is the first anime OST done by Oorutaichi, and while information technology fits the setting and vibe of the show rather well, trivial of it is particularly memorable. The testify also overuses certain tracks, as if at that place is one specific slice meant to be used every time the characters go into their visually-driven imagination setpieces. That said, I did discover how each arc of the show introduces new tracks, all of which are nice enough. I also like the brash and peppy energy presented by the OP, "Easy Breezy" by chelmico. The visuals of the OP have been memed to death cheers to the Drake-inspired dance moves the girls evidence off, only the song itself is still what I similar most well-nigh it, though it isn't especially remarkable. I'thousand less fond of the ED so that's all I'll say nigh it. It's hard to avoid spilling everything I beloved about the show and what it tackles in particular. This review needs to maintain a level of coherence, afterward all. The show isn't this 10/10 hype beast that I adore from beginning to end, but it resonates with me on a level that makes it difficult to get bored or observe much to complain about. I didn't even get to touch on the main conflicts much like with how beautifully and earnestly Mizukashi's disharmonize with her role player parents concludes, or go into scenes like when the characters travel to a location for inspiration. The final arc involves the show's understanding of social media marketing and how star-power gets many interested in a studio's body of work so that the more invested can follow it thoroughly and deep-swoop their itemize. I also never got to talk virtually the decent supporting cast and how interesting the scenes where they and our main trio come to an understanding are. Barring minor contrivances, everything feels natural rather than forced. All of the conflicts and interactions have this genuineness to their execution. There'due south so much dearest and passion for the medium oozing out of Eizouken, and it'due south hard non to get invested. Sure, the loftier-energy nature and how specialized it is in this field can plow some away, but it's hard non to capeesh simply how much nearly anime the series covers. Its eye isn't merely with animation, as the evidence has a few cute character moments and emotional climaxes of its own. The likable characters and wonderful visuals accentuate the joyful feeling of this bear witness and how much it cares nigh what it covers. The show does not shy abroad from the darker and more complicated aspects of being an animator, even though information technology doesn't dwell on the grim nature of it all. Eizouken's merely a treat to watch, and certainly a contender for anime of the year moving forward. It understands, and that's what allows it to smoothen so brightly.
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Source: https://myanimelist.net/anime/39792/Eizouken_ni_wa_Te_wo_Dasu_na